The licensing of songs can get even more complicated with hip-hop, whose tracks often include samples of older songs from problematic artists who then share co-writing credits and royalties.
#GARY GLITTER T SHIRTS TV#
“I don’t think we should limit ourselves creatively because people are messed up.”Īs producer-songwriter Phil Spector sits in a California prison for the murder of actress Lana Clarkson, his music continues to land in such film and TV projects as “Shaft,” “Welcome to Marwen,” “The Voice” and “Glow.” If a classic, early ‘60s Spector track was perfect for a period film, Anders would consider using it. “There are so many people now who have made music and gone to jail for horrible, horrible crimes,” Anders adds, arguing that using a song doesn’t equate to endorsing a fallen pop star’s criminal behavior.
#GARY GLITTER T SHIRTS SERIES#
“Even with the documentary, I’m still hearing it,” says Tiffany Anders, a music supervisor on the TV series “PEN15” and “Sorry for Your Loss.” “I’m still getting pitched Michael Jackson like nothing has happened. The force of his most ardent fans and outspoken family members has successfully derailed significant damage to Jackson’s commercial legacy so far. “That’s a topic that’s been the subject of a lot of late-night discussions,” says Ramos, who was moved earlier this year by the documentary “ Leaving Neverland,” which alleges in excruciating detail that Jackson sexually abused young boys. Glitter is only part of a lineage of popular artists who have been accused or convicted of an array of illegal and immoral activities, among them Phil Spector, R. That history has made his songs problematic for filmmakers and their music supervisors.
Now 75, Glitter isn’t scheduled for release for another dozen years. In 2015, he was sentenced to 16 years in prison for a variety of sex crimes involving minors. He was later deported from Cambodia and imprisoned in Vietnam for sexual offenses. Glitter was arrested and convicted in England in 1997 for downloading a large cache of child pornography. “He was quite a startling figure, sort of absurd yet menacing,” says critic Simon Reynolds, author of “Shock and Awe: Glam Rock and Its Legacy.” “The music had an undeniable strangeness to it.” The later revelations about Glitter’s sexual crimes, Reynolds adds, “ruined a lot of people’s pop memories.” As his career faded by the 1980s, “Rock and Roll Part 2” remained a chestnut in movies and, especially, a call to arms for fans at nearly every sporting event in the U.S. Glitter was even more popular in the U.K. The single (officially the B-side to “Part 1”) was a top 10 hit in the U.S. Glitter handled the chants of “Hey!” and led the hand claps. “Rock and Roll Part 2” was recorded at Spot Studios in London in 1971 by Glitter and his producer Leander, who played all the instruments.
And one veteran music supervisor estimated “Joker” likely paid between $100,000 and $200,000 for the song, a total split about evenly between the rights holders to the song’s publishing and its master recording. In 2014, Billboard reported that the song still earns $250,000 in annual performance royalties. A representative for Universal’s publishing group stated: “Gary Glitter’s publishing interest in the copyright of his songs is owned by UMPG and other parties, therefore UMPG does not pay him any royalties or other considerations.” In the U.S., rights to the songwriting on “Rock and Roll Part 2" belong to Universal Music Publishing Group, which represents Glitter, and BMG, which represents Leander. Unlike other legacy artists on the label, Snapper does not sell physical copies of Glitter’s records, which are available only as digital streams and downloads. His new label’s plans for a retrospective album were quickly canceled. Snapper purchased the masters to Glitter’s catalog in January 1997, several months before the singer’s legal problems began with the discovery of child pornography on his laptop and in his home. “We’ve had no contact with him.” The song consistently attracted filmmakers and TV showrunners long before “Joker,” landing in “Meet the Fockers,” “Boyhood,” “South Park” and “The Office.” “People generally come to us,” added the spokesman. “Gary Glitter does not get paid,” said a spokesman for Snapper in London who asked to remain anonymous. For “Joker,” much of the criticism is centered on assumptions that Glitter was personally profiting from its use in the film, but Glitter sold away all his rights to the recording and publishing of “Rock and Roll Part 2,” co-written by the late Mike Leander, as well as his other songs more than two decades ago, according to Snapper Music, the London-based label that now owns Glitter’s master recordings.
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